| 1. | "
To enjoy this beautiful world--to experience it and to extract pleasure
from that experience--is to be prevented from knowing it so faultlessly
(as through "revelations") that one would become "in
sense" part of its sensuous fullness."
| Source: | MAO, DOUGLAS. "Wallace Stevens for the Millennium" Southwest Review 85.1 Jan. 1 2000: 10
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| 2. | " In works like Lorenzo
Valla's On Pleasure (1431) and the monk Celso Maffei's
Pleasing Explanation of the Sensuous Pleasures of Paradise (1504), to
name only two, little was left to the imagination, with accounts
brimming over with..."
| Source: | McMahon, Darrin M. "From the happiness of virtue to the virtue of happiness: 400 B.C.-A.D. 1780" Daedalus 133.2 Mar. 22 2004: 5-18
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| 3. | "
The movie's authenticity and elegiac eloquence derive from
balancing a vivid, sobering perception of the war's wanton,
destructive features with the heedless, sensuous pleasure it arouses in
the boys."
| Source: | Arnold, Gary. "Pleasure, peril in growing up in war-torn `Beirut'" Washington Times Aug. 26 2000: 3
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| 4. | " Two, to return to the bare elements of the art and, excluding
ideas and ulterior purpose, to play variations on these elements simply
to show their sensuous power and the pleasure afforded by bare
technique."
| Source: | Barzun, Jacques. "The Artist as Prophet and Jester" American Scholar 69.1 Jan. 1 2000: 15
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| 5. | "... is roughly as reactionary as
if someone had tried fifty years ago to praise sensuous pleasure in the
face of Kandinsky's The Spiritual in Art. . ."
| Source: | KOHL, JEROME. "A SEVENTIETH-BIRTHDAY FESTSCHRIFT FOR KARLHEINZ STOCKHAUSEN" Perspectives of New Music 37.1 Jan. 1 1999: 91
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| 6. | " After indulging himself
for a time in the sensuous, historical, and architectural pleasures of
Venice, he puts the most pressing of his earthly affairs in order."
| Source: | MILLER, PAUL W. "HEMINGWAY VS. STENDHAL, OR PAPA'S LAST FIGHT WITH A DEAD WRITER" Hemingway Review 19.1 Sept. 22 1999: 127
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| 7. | " The
wedding party celebrates life and its sensuous pleasures with an
insatiable appetite for food, drink, dance, and love-a display of
exuberant joie de vivre."
| Source: | Green, Maria. "Dominique Sampiero. Le dragon et la ramure. Lagrasse, Fr. Verdier. 1998. 57 pages. 59 F. ISBN 2-86432-295-1" World Literature Today 73.2 Mar. 22 1999: 295
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| 8. | "... Honoring Parents and Elders)
Hedonism: Pleasure and sensuous gratification for oneself.
(Pleasure, Enjoying..."
| Source: | Giacomino, Don E.,Akers, Michael D.,Fujita, Atsushi. "Personal Values of Japanese Business Managers" Business Forum 24.1-2 Jan. 1 1999: 9
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| 9. | " We pointed out that Boucher was
nothing other than an artist desirous of delivering sensuous pleasure to
the highest degree; that his work was absolutely..."
| Source: | Millard, Rosie. "Notebook: just pornography for toffs? Boucher's paintings of tits'n'bums got everyone going" New Statesman (1996) 133.4711 Oct. 25 2004: 43-44
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| 10. | "... and desire."
Outside the orbit of pleasure and pain, "euphoria" can only be
"freedom." Yet the phrase "affective freedom"
implies both freedom from affect and freedom that is itself affective."
| Source: | TERADA, REI. "Pathos" Studies in Romanticism 39.1 Mar. 22 2000: 27
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| 11. | "
Mary's reading of Edwards and reporting on it; her own adherence to
a New Light style of affective Calvinism; her love of the nature poetry
of Thomas Young ("Night Thoughts"), Mark Akenside ("The
Pleasures of Imagination"), James Thompson ("The
Seasons");..."
| Source: | BAYM, NINA. "MARY MOODY EMERSON AND THE ORIGINS OF TRANSCENDENTALISM" Journal of English and Germanic Philology 99.2 Apr. 1 2000: 278
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| 12. | " Like Love and Theft, Bound and Gagged is ultimately a book
about affect: specifically, the ways in which cultural representations
mobilize certain affective responses (such as pleasure, desire, and/or
disgust) and constitute through those forms of affect particular classed
and gendered subjects."
| Source: | Merish, Lori. "Bound and Gagged: Pornography and the Politics of Fantasy inAmerica" Criticism v40.n3 June 22 1998: 477-491
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| 13. | " Like Love and Theft, Bound and Gagged is ultimately a book
about affect: specifically, the ways in which cultural representations
mobilize certain affective responses (such as pleasure, desire, and/or
disgust) and constitute through those forms of affect particular classed
and gendered subjects."
| Source: | Merish, Lori. "Love and Theft: Blackface Minstrelsy and the American WorkingClass" Criticism v40.n3 June 22 1998: 477-491
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| 14. | "
Etzioni (1988) notes that both moral and pleasure dimensions are
normative/affective processes, that is, both are forms of substantive
rationality, as opposed to logical/empirical processes which fall under
formal rationality."
| Source: | Redmond, William H. "Consumer Rationality and Consumer Sovereignty" Review of Social Economy 58.2 June 1 2000: 177
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| 15. | "
Mr. Gulgee, who has shown in Washington at the Zenith Gallery and
Meridian International Center, is an artist to watch both for the
originality of his ideas and the sensuous, handsome quality of the work."
| Source: | Shaw-Eagle, Joanna. "A mystical touch to art" Washington Times Jan. 1 2000: 1
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| 16. | "
Rose, in his understated yet vibrant works, achieves a sense of purity
without sacrificing the sensuous tactility of the surfaces.
"
| Source: | Ebony, David. "Robin Rose at M-13/Howard Scott" Art in America 88.7 July 1 2000: 112
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| 17. | "
Atavistic and sensuous memories
One of the reasons that the nature of materials affects us all is
because they evoke atavistic memories through senses other than vision:
touch, hearing, smell and even taste."
| Source: | Davey, Peter. "Material assets: huge opportunities are offered by an increasing range of materials but their essential sensuous importance remains" Architectural Review 216.1290 Aug. 1 2004: 38-40
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| 18. | " Here, likewise, mathematics, on the basis of
certain sense-experiences of which there are many both in nature and
among mankind, has constructed the non-sensuous, we might say the
super-sensuous idea, of a point without extension..."
| Source: | . "FIFTY YEARS AGO IN ETC" ETC.: A Review of General Semantics 56.4 Dec. 22 1999: 491
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| 19. | " Although recent research has
suggested that job satisfaction has not only affective, but also
behavioural and cognitive dimensions (Brief & Weiss, 2002), it is
usually considered to tap affective well-being, representing the
pleasure-displeasure axis (Warr, 1987)."
| Source: | van Horn, Joan E.,Taris, Toon W.,Schaufeli, Wilmar B.,Schreurs, Paul J.G. "The structure of occupational well-being: a study among Dutch teachers" Journal of Occupational and Organizational Psychology 77.3 Sept. 1 2004: 365-376
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| 20. | "
Touch is the unconsciousness of vision, and this hidden tactile
experience determines the sensuous quality of the perceived object, and
mediates messages of invitation or rejection, courtesy or hostility."
| Source: | Pallasmaa, Juhani. "HAPTICITY AND TIME" Architectural Review 207.1239 May 1 2000: 78
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| 21. | " This
finding suggests that the affective (i.e., pleasure, satisfaction) and
expressive elements (i.e., identity affirmation and identity expression)
of respondents' involvement with hiking are also tied to their
affective and social bonds with the setting."
| Source: | Kyle, Gerard,Graefe, Alan,Manning, Robert,Bacon, James. "Effect of activity involvement and place attachment on recreationists' perceptions of setting density" Journal of Leisure Research 36.2 Mar. 22 2004: 209-232
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| 22. | " Scanlan and Simons (1992) define the
enjoyment of physical activity and sport as "a positive affective
response to the sport experience that reflects generalized feelings such
as pleasure, liking, and fun" (pp. 202-203)."
| Source: | Ryska, Todd A. "Enjoyment of evaluative physical activity among young participants: the role of self-handicapping and intrinsic motivation" Child Study Journal 33.4 Dec. 1 2003: 213-235
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| 23. | " She's
back visiting her mother, and she seems as struck all over again by
P-town as I am. Her memories, which she discusses freely, are all
sensuous memories."
| Source: | MICHAELIS, DAVID. "Provincetown" American Scholar 69.3 June 22 2000: 129
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| 24. | "
Meanwhile this speculative, imaginative subjectivity transgresses
the rules of utility and socially pre-determined options; the emergent,
alternative mode speaks in a language of politics, sensuous
particularity, and artistic metamorphosis."
| Source: | KAUFMAN, ROBERT. "A Future for Modernism: Barbara Guest's Recent Poetry" American Poetry Review 29.4 July 1 2000: 11
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| 25. | " Zumthor's reflections are
also tempered by sensuous experience of the world - by sight, touch and
smell. 'I see the rusty metal of the door, the blue of the hills in
the background, the shimmer of the air over the asphalt..."
| Source: | Slessor, Catherine. "MATERIAL WITNESSES" Architectural Review 207.1239 May 1 2000: 43
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