| 1. | " To further his point, Orr
translates the poetic elements of new-style narrative devise coupled
with the casting of popular, Hollywood actors as symbols of immoral
typage."
| Source: | Cole, Shorelle. "Contemporary Cinema" Historical Journal of Film, Radio and Television 19.2 June 1 1999: 290-292
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| 2. | " What in many other writers'
work would be a brief, conventional metaphor for poetic inspiration
("there came the Muses to visit me") or a somewhat longer
poetic conceit, is here drawn out into a highly detailed, highly
physical narrative."
| Source: | Robinson, David Michael. "Pleasant conversation in the seraglio: lesbianism, platonic love, and Cavendish's Blazing World" Eighteenth Century: Theory and Interpretation 44 June 22 2003: 133-167
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| 3. | "
The physical setting of the "Cantico's" dream
narrative in the Earthly Paradise also emphasizes the issue of poetic
genealogy."
| Source: | Roush, Sherry. "Dante as piagnone prophet: Girolamo Benivieni's "Cantico in laude di Dante"" Renaissance Quarterly 55.1 Mar. 22 2002: 49-81
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| 4. | " ISBN
2-86432-348-6
THE AUTHOR OF NOVELS (Calvaire des chiens, 1990), of narratives
(Mecanique, 2001), and of plays (Bruit, 2000), Francois Bon's drama
Quatre avec le mort, while singularly morose--and with reason--is a
deeply felt poetic drama."
| Source: | Knapp, Bettina L. "Francois Bon. Quatre avec le mort" World Literature Today 76 June 22 2002: 113-115
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| 5. | " Further, she
suggests that "whereas poetic language is now more or less accepted
as autonomous and intransitive, fiction and narrative still suggest a
transitive and referential use of words" (88)."
| Source: | Gill, Jo. "Textual Confessions: Narcissism in Anne Sexton's early poetry" Twentieth Century Literature 50.1 Mar. 22 2004: 59-88
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|
| 6. | "... the private inability to mourn the past
and the public refusal to feel self-pity or be treated as victim. (64)
Their narrative registers take their readers to a level of poetic
understanding where language..."
| Source: | Lionnet, Francoise. "Translating grief" Romanic Review 94.3-4 May 1 2003: 277-290
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| 7. | "
The Sweet Breath of Life: A Poetic Narrative of the
African-American Family by Ntozake Shange, edited by Frank Stewart Atria
Books, October 2004 $29.95, ISBN 0-743-47897-5
It..."
| Source: | Jones, Patricia Spears. "The Sweet Breath of Life: a Poetic Narrative of the African-American Family" Black Issues Book Review 6.6 Nov. 1 2004: 46-47
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| 8. | " For
example, the whole question of frame narratives is discussed more fully
here (and more convincingly) than in many specialized studies devoted to
the so-called poetics of fiction."
| Source: | Falconer, Graham. "Farrant, Tim. Balzac's Shorter Fictions: Genesis and Genre" Nineteenth-Century French Studies 32.3-4 Mar. 22 2004: 394-397
|
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| 9. | " And it is here that the novel achieves its true mastery because
the poetic narrative voice is forever alert to an extraordinary world
and manages to do the apparently impossible, to give voice to the
unsayable..."
| Source: | Murphy, Neil. "Tarjei Vesaas. The Boat in the Evening" Review of Contemporary Fiction 24.3 Sept. 22 2004: 129-131
|
|
| 10. | "... Books, 1981); A. Berlin, Poetics and Interpretation of
Biblical Narrative, Bible and Literature Series, vol.9 (Sheffield:
Almond Press, 1983); and M. Sternberg, The Poetics of Biblical Narrative
(Bloomington, Ind.: Indiana Univ."
| Source: | RENDSBURG, GARY A. "LITERARY DEVICES IN THE STORY OF THE SHIPWRECKED SAILOR" Journal of the American Oriental Society 120.1 Jan. 1 2000: 13
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|
| 11. | " The definition given to "epic" by the editors of
the volume reflects this vagueness: epic is "a poetic narrative of
[some] length and complexity that centers around deeds of significance
to the community."
| Source: | JASON, Heda. "Epic Traditions in the Contemporary World: The Poetics ofCommunity" Asian Folklore Studies 58.2 June 1 2000: 437
|
|
| 12. | " The narrative comple xity and poetic beauty
of Platonic writing, for example, which does not tell a straightforward
story celebrating an idealized spiritual love, allows us to see the
dynamic intelligence and flamboyant, often conflicting ideologies,
personalities..."
| Source: | Damon, Maria. "Triangulated Desire and Tactical Silences in the Beat Hipscape: Bob Kaufman and Others" College Literature 27.1 Jan. 1 2000: 139
|
|
| 13. | " 1968. "Towards a Poetics of Fiction: An
Approach Through Narrative." Novel 2: 5-14.
"
| Source: | . "Tales of the city: a study of narrative and urban life" Canadian Journal of Urban Research 9.1 June 1 2000: 115-17
|
|
| 14. | " Bringing
his impressive knowledge of arcane mythological practices to bear on
Ammons's narrative and poetic methodologies, Kirschten shows how
the poet makes use of movement, of ritualistic flow, to bring together
and..."
| Source: | PECKHAM, JOEL. "Approaching Prayer: Ritual and the Shape of Myth in A.R. Ammonsand James Dickey" Mississippi Quarterly 52.4 Sept. 22 1999: 720
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| 15. | "
Although it focusses on recent French history writing, its approach and
insights apply to all historiography, since it deals with the narrative
contract, reader-author relations, impersonal versus personal or
familiar styles, poetic licence and authority, risk-taking an"
| Source: | Kent, Christopher. "Deconstructing History" Canadian Journal of History 34.3 Dec. 1 1999: 386
|
|
| 16. | "
Although it focusses on recent French history writing, its approach and
insights apply to all historiography, since it deals with the narrative
contract, reader-author relations, impersonal versus personal or
familiar styles, poetic licence and authority, risk-taki"
| Source: | Kent, Christopher. "The Truth of History" Canadian Journal of History 34.3 Dec. 1 1999: 386
|
|
| 17. | " As one might
expect, Ferre's re-vision of Rossetti's narrative, now set in
rural Puerto Rico, reveals much about its author's poetic and
political orientation--most obviously in the ways that it differs from
Rossetti's poem."
| Source: | MORRISON, RONALD D. "Remembering and Recovering Goblin Market in Rosario Ferre's "Pico Rico, Mandorico"" CRITIQUE: Studies in Contemporary Fiction 41.4 June 22 2000: 365
|
|
| 18. | "... "The work is essentially my reflections on the world around
and inside of us," she said. "It is an attempt to forge an
intimate connection between readers and me."
Elegantly weaving an almost poetic prose with her engaging
narrative,..."
| Source: | BRETT, REGINA. "We only make it look easy" Quill 88.6 July 1 2000: 50
|
|
| 19. | "... Museum+
1992), pp. 483, 488.
(5) Peter Brooks, Reading for the Plot: Design and Intention in
Narrative (New York: Knopf, 1985), p. 95.
(6) Margaret Higonnet, "Suicide: Representations of the
Feminine in the Nineteenth Century," Poetics Today..."
| Source: | HIGONNET, MARGARET. "FRAMES OF FEMALE SUICIDE" Studies in the Novel 32.2 June 22 2000: 229
|
|
| 20. | "
Although it focusses on recent French history writing, its approach and
insights apply to all historiography, since it deals with the narrative
contract, reader-author relations, impersonal versus personal or
familiar styles, poetic licence and authority, risk-taking and dul"
| Source: | Kent, Christopher. "Acton and History" Canadian Journal of History 34.3 Dec. 1 1999: 385
|
|
| 21. | "
Although it focusses on recent French history writing, its approach and
insights apply to all historiography, since it deals with the narrative
contract, reader-author relations, impersonal versus personal or
familiar styles, poetic licence an"
| Source: | Kent, Christopher. "Real History: Reflections on Historical Practice" Canadian Journal of History 34.3 Dec. 1 1999: 385
|
|
| 22. | "
Although it focusses on recent French history writing, its approach and
insights apply to all historiography, since it deals with the narrative
contract, reader-author relations, impersonal versus personal or
familiar styles, poetic licence and author"
| Source: | Kent, Christopher. "Modern Historiography: an Introduction" Canadian Journal of History 34.3 Dec. 1 1999: 385
|
|
| 23. | " Abcarian 39-41.
Fleming, Robert, "O'Neill's Hairy Ape as a Source
for Native Son." CLA Journal 28 (June 1985): 434-43.
Foley, Barbara. "The Politics of Poetics: Ideology and
Narrative..."
| Source: | Schultz, Elizabeth. "The Power of Blackness: Richard Wright Re-Writes Moby-Dick" African American Review 33.4 Dec. 22 1999: 639
|
|
| 24. | " Just Let Me Say This About That,
by John Bricuth (literary critic John T. Irwin's self-professed
"poetic alter ego"), described by subtitle as "A
Narrative Poem," is a long poem written in tercets that takes the
form of a press conference."
| Source: | Holinger, Richard. "Just Let Me Say This About That" Midwest Quarterly 40.4 June 22 1999: 514
|
|
| 25. | " Just Let Me Say This About That,
by John Bricuth (literary critic John T. Irwin's self-professed
"poetic alter ego"), described by subtitle as "A
Narrative Poem," is a long poem written in tercets that takes the
form of a press conference."
| Source: | Holinger, Richard. "Working It Out" Midwest Quarterly 40.4 June 22 1999: 514
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