| 1. | " This principle is a human passion; passions are
social, dynamic forces that set the government in motion."
| Source: | Russo, Elena. "MONSTROUS VIRTUE: MONTESQUIEU'S CONSIDERATIONS SUR LES ROMAINS" Romanic Review 90.3 May 1 1999: 333  |
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| 2. | " For example, Touchpoints forces the practitioner
to find and acknowledge strengths as well as problems in the family and
to value passion, even negative passion, as a communication and a fuel
for change."
| Source: | Stein, Martin T.,Keefer, Constance H.,Kessler, Daniel B. "Selective affective response to a parent in a 6-month-old infant *" Pediatrics 114.5 Nov. 1 2004: 1407-1414  |
|
| 3. | " 11) and noted how powerfully the
"Byzantine" style of the chapel and the simplicity of its
fresco painting reflected the solemn and primitive purity of religion,
"stripped of any vulgar trace of the athletic force of human
passion" (Hoppin's emphasis)..."
| Source: | Curran, Kathleen. "The Romanesque Revival, Mural Painting, and Protestant Patronage in America" Art Bulletin 81.4 Dec. 1 1999: 693  |
|
| 4. | "
From the beginning Hartman developed a passion for interpretation
that became the driving force in his writing."
| Source: | Dickstein, Morris. "A Surplus of Meaning" Tikkun 15.2 Mar. 1 2000: 76  |
|
| 5. | "
Now and then, because the group "still wishes to be governed
by unrestricted force [and] has an extreme passion for authority,"
a father figure will emerge."
| Source: | EPSTEIN, LESLIE. "ROAR OF THE CROWD" American Prospect 11.12 May 8 2000: 44  |
|
| 6. | "
I want to argue that this ritual may be conceptualised as an ordeal
where the participants' faculty of will, just as much as their
passions and states of consciousness, figure as they engage with the
cosmic forces."
| Source: | Kondos, Vivienne. "Fire, Heroes and the Cosmic: Aesthetic Resonances of Fire-walking in Northern Greece" Australian Journal of Anthropology 11.1 Apr. 1 2000: 1  |
|
| 7. | "... could do other things, but there was nothing that
instilled that same passion to get up in the morning," Jill Transki
told E&P.
Schulz, 77, was forced to retire because of serious health
problems."
| Source: | Astor, Dave. "Sundays will never be the same - And weekdays won't, either, as fans mourn the passing of Charles Schulz" Editor & Publisher Feb. 21 2000: 20  |
|
| 8. | " Often
their involvement begins with a single issue that is close to home, but
once unleashed, their passion for conservation makes them an unstoppable
force in creating a better, healthier and wilder world for future
generations."
| Source: | . "Unlocking the Conservation Hero Within" National Wildlife Feb. 1 2000  |
|
| 9. | " 299 pp.)
He was never really the greatest; often, after his three year
lay-off, he wasn't even particularly good, but he looms larger with
each passing year, an efflorescence of talent and passion and life-force
unmatched in sports history."
| Source: | . "THE MUHAMMAD ALI READER" Civil Rights Journal 4.1 Sept. 22 1999: 59  |
|
| 10. | " Thanks in part to a national passion for
staying connected across vast frozen distances, the Finns have created
what they call a "mobile information society."
Finnish teenagers are a major driving force behind the mobile-phone
craze."
| Source: | Holstein, William J.,Yang, Dori Jones. "Moving beyond the PC" U.S. News & World Report 127.23 Dec. 13 1999: 48  |
|
| 11. | " If the "task of
art, as the embodiment of beauty[,] is to sediment the force of life and
the fervor of the age through seeking and creating proper forms and
vesting these forms with life, strength and intense passion,"..."
| Source: | Cauvel, Jane. "THE TRANSFORMATIVE POWER OF ART: LI ZEHOU'S AESTHETIC THEORY" Philosophy East and West 49.2 Apr. 1 1999: 150  |
|
| 12. | " Likewise, that this history persists in the
present specifically as nightmare is amply demonstrated by the passion
play of "Circe," where history, both personal and cultural,
explodes as a sinister phantasmal force still scourging the living."
| Source: | DECOSTE, DAMON MARCEL. "Modernism's Shell-Shocked History: Amnesia, Repetition, and the War in Graham Greene's The Ministry of Fear" Twentieth Century Literature 45.4 Dec. 22 1999: 428  |
|
| 13. | " The need for
allegory is rooted in the submersion of the spiritual forces into
personification and the need to personify human passions."
| Source: | . "WORLD LITERATURE IN REVIEW - OTHER EUROPEAN & AMERICANLANGUAGES" World Literature Today 73.3 June 22 1999: 569  |
|
| 14. | "... happy to characterize the products of artistic genius as
manifestations of a preponderance of power over reason; a worthy bias of
mind, which, expressing nature's own power, projects itself by
force of passion..."
| Source: | MILNES, TIM. "Seeing in the Dark: Hazlitt's Immanent Idealism" Studies in Romanticism 39.1 Mar. 22 2000: 3  |
|
| 15. | " What's wanted is icy control, clear heads,
players who are emotionally, physically and mentally controlled, able to
concentrate on the game and use their talents, technique and skills,
such as they are, rather than be swept along by brute force and raw
passion."
| Source: | Davies, Hunter. "Why can't they teach players to kick with both feet?" New Statesman (1996) 128.4462 Nov. 15 1999: 62  |
|
| 16. | "
When they decided military force was in their interest, they
played the passion card."
| Source: | Morton, Robert. "Third way refugees" Washington Times May 2 1999: 4  |
|
| 17. | "
Stuck in Naples, he found himself becoming obsessed by the idea of
Rome, but because of German forces nearby never got nearer to the object
of his passion than a T-junction signposted "Roma" one way and
"Napoli" the other."
| Source: | Walters, Colin. "When the writers came back to Rome" Washington Times July 25 1999: 6  |
|
| 18. | "... up nationalist passions in the country" with deliberately
false broadcasts.
"It's right up there with control of the security and
military forces," he said.
* Rowan Scarborough contributed to this story.
"
| Source: | Marshall, Toni. "West fires shots in broadcast war: Hits TV station, airs own information" Washington Times Apr. 24 1999: 8  |
|
| 19. | " But their passion has not stopped
the persecution of his people by Northern forces."
| Source: | Means, Sarah. "Behind guerrilla lines: Col. Garang's hopes for a free Sudan" Washington Times Oct. 1 1999: 19  |
|
| 20. | " The
dominating force is a Presbyterian minister father who taught his sons
about passion and the nature of grace and art by way of an unlikely
source--the techniques of fly-fishing."
| Source: | Gehring, Wes D. "The Populist Films of ROBERT REDFORD" USA Today (Magazine) 127.2648 May 1 1999: 62-63  |
|
| 21. | " These admirable collections helped me greatly by
pointing the way to his fictional interest in occult patterns, in odd
passions that transform routine perceptions into "fears of blue
skies" and force his unbalanced narrators to be trapped in
labyrinthine narrations."
| Source: | Malin, Irving. "Fear of Blue Skies" Review of Contemporary Fiction 18.2 June 22 1998: 249  |
|
| 22. | "
She further writes that we will need leaders, "networks of
committed activists ... strategies and cunning" to oppose force
"with numbers, and passion with forbearance and reason ...."
| Source: | Doerr, Edd. "Blood Rites: Origins and History of the Passions of War" Humanist Nov. 1 1998: 47  |
|
| 23. | "... conflicted urges can get them into trouble," Dr. Stuart says.
"By identifying and tempering those urges, they can begin to see
passion and desire as positive, life-enhancing forces."
| Source: | . "Passion, Infidelity, Women's Accessories, Sexuality, Seduction Explored at New York Conference; Forty Experts to Discuss Psychology of Longing" AScribe Health News Service Sept. 28 2004  |
|
| 24. | "... attackers, one more
heartbreaking ballad to embody the force of a frustrated passion
otherwise left chastely to the imagination (at least before the
floodgates of eroticism opened with the 1972 hit Intimate Confessions of
a Chinese Courtesan)."
| Source: | O'Brien, Geoffrey. "Made in Hong Kong: Geoffrey O'Brien on the films of Shaw Brothers studio" Artforum International 43.1 Sept. 1 2004: 250-256  |
|
| 25. | "... is forced to reduce
very different cultural complexes to one model (implicitly Western in
origin), and at worst is simply evidence of the author's own
passions and prejudices imposed on diverse ethnographic material."
| Source: | BUSBY, CECILIA. "Denying biology: essays on gender and pseudo-creation" Journal of the Royal Anthropological Institute 6.1 Mar. 1 2000: 146  |
|