| 1. | " The next two chapters recall the cognitive
revolution in understanding the mind and provide descriptions of ways in
which cultures influence the character of education."
| Source: | Smith, Ralph A. "The Disciplined Mind: What All Students Should Understand" Arts Education Policy Review 101.5 May 1 2000: 36
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| 2. | " Once more, he
sees fit to acknowledge education as being "first given through
Apollo and the Muses"(38) to distinguish good and bad kinds of
poetry and music, to urge the poet to portray the character of good
men,(39)..."
| Source: | Cai, Zong-qi. "IN QUEST OF HARMONY: PLATO AND CONFUCIUS ON POETRY" Philosophy East and West 49.3 July 1 1999: 317
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| 3. | " These
larger issues that surround and influence poetry, bear on it, touch on
it. Not only your own poetry but the world of poetry, the role poetry
and the poet play in the world."
| Source: | CORMAN, CID,Dunne, Gregory. "Thirty-one poems" American Poetry Review 29.4 July 1 2000: 21
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| 4. | " In this last connection,
Davie considers the role of the Orlando as a more important and very
different sort of influence on Pulci than does Constance Jordan in her
Pulci's Morgante: Poetry and History in Fifteenth-Century Florence
(1986)."
| Source: | Cook, James Wyatt. "The Epic Adventures of Orlando and His Giant Friend Morgante" Renaissance Quarterly 52.2 June 22 1999: 504-508
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| 5. | " The
question was how to make them livable, and how to influence
"men's minds and characters" so that civilization would
prosper."
| Source: | Rybczynski, Witold. "Why we need Olmsted again" Wilson Quarterly 23.3 June 22 1999: 15-22
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| 6. | " His emphasis in the Biographia has
changed, understandably, from Bowles's role in the revival of the
sonnet to Bowles's more personal influence on Coleridge's
appreciation of poetry."
| Source: | ROBINSON, DANIEL. ""Work Without Hope": Anxiety and Embarrassment in Coleridge's Sonnets" Studies in Romanticism 39.1 Mar. 22 2000: 81
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| 7. | " I had planned it as a
"philosophical" fiction; in graduate school I had come under
the influence of Eliseo Vivas, at the time a well-known professor of
philosophy, and with his character and views in mind, I named my
protagonist Rafael Caritas."
| Source: | Ozick, Cynthia. "Henry James, Tolstoy, and my first novel" American Scholar 73.4 Sept. 22 2004: 15-25
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| 8. | "... Blake and
the post-colonial imagination in Australia, the role of religion in
Arundhati Roy's The God of Small Things, the influence of Jeanette
Winterson, Michel Tournier and Wallace Stevens, Cynthia's
Ozick's novel, The Messiah of Stockholm, and the poetry of John
Ashbery.
"
| Source: | . "Literary Canons and Religious Identity" Contemporary Review 285.1665 Oct. 1 2004: 255-257
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| 9. | " Anonymity is the theme
of the book: nameless characters blankly defined by their social roles,
coming to be and passing unseen and unheard away, all with inner lives
which we presume to be there, much as we have to attribute minds to
persons."
| Source: | Sheen, Henry. "ALL THE NAMES" New Statesman (1996) 128.4457 Oct. 4 1999: 57
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| 10. | " For
example+ in 1934, he was interested in character, but trying to bring
character into poetry Auden learned that poetry "has very little to
do with character": that is, it tended to produce rather
flat-sounding characters (Plays xxi)."
| Source: | Cappeluti, Jo-Anne. "The Caliban Beneath the Skin: Abstract Drama in Auden's Favorite Poem" Style 33.1 Mar. 22 1999: 107
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| 11. | "... minds. "Just don't take any course where they make
you read Beowulf," Woody Allen's character warned his
girlfriend as she mulled over an adult-education brochure in the 1977
film Annie Hall."
| Source: | Koerner, Brendan I. "Required reading" U.S. News & World Report 128.11 Mar. 20 2000: 68
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| 12. | " Are we, in this fast
technological age, so short of character that we cannot produce
"true" poetry?"
| Source: | Gibbons, Reginald,Komunyakaa, Yusef,Rifenburgh, Daniel,Prunty, Wyatt,Davis, David,Pickering, Timothy,Pool, Frederick,Jackson, Marjorie Alice,Hadaway, Elizabeth,Chang, Victoria,Rosko, Emily,Witherup, Bill,Mears, Allen K. "Letters to the editor" Poetry 185.2 Nov. 1 2004: 143-153
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| 13. | "
Writes poetry or something." (2)
--the stories themselves were shallow and formulaic; the characters
were cardboard cut-outs that meandered from one almost-sexual encounter
to another and, no matter what..."
| Source: | Hopler, Jay. "Watching the detectives: reading dime novels and hard-boiled detective stories in context" Journal of Social History 36.2 Dec. 22 2002: 459-468
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| 14. | "... narrative poems that have been given the contours of novels,
while Ibsen and Hebbel get rid of poetry altogether and just have their
characters speak naturally."
| Source: | Ebert, John David. "Film: the new novel" Antioch Review 62.4 Sept. 22 2004: 740-754
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| 15. | " They knew that
when you cast someone as a tinker or tailor but then make him--if not a
heroic soldier or a spy--at least a character with force, dynamism, and
poetry, sociology yields to psychology."
| Source: | O'Brien, Tom. "Shelley and the utility of the arts" Arts Education Policy Review 105.6 July 1 2004: 25-31
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| 16. | " Educating hearts and minds: A
comprehensive character education."
| Source: | SANCHEZ, TONY R. "It's Time Again for Heroes--Or Were They Ever Gone?" Social Studies 91.2 Mar. 1 2000: 58
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| 17. | "... twofold--by turning
himself into a character, the poet deprives his own poetry of its
originality:
[I]t is Mr Teste's fault."
| Source: | Teodorescu, Jeanine. "'Nu, nu and nu': Ionesco's 'no!' to Romanian literature and politics" Journal of European Studies 34.3 Sept. 1 2004: 267-288
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| 18. | "
Arts of the Possible externalizes various debates raging within the
passionate mind of Adrienne Rich, educated in the traditions of both
poetry and the essay."
| Source: | St. Andrews, B.A. "Adrienne Rich. Arts of the Possible: Essays and Conversations" World Literature Today 76 June 22 2002: 78-80
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| 19. | " 22.10-12. By referring to this particular
incident in the Comedy, Benivieni brings to mind an instance in which
poetry becomes a vehicle for rophecy, since Statius credits
Virgil's words with prompting his Christian conversion."
| Source: | Roush, Sherry. "Dante as piagnone prophet: Girolamo Benivieni's "Cantico in laude di Dante"" Renaissance Quarterly 55.1 Mar. 22 2002: 49-81
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| 20. | "... on. Dylan's poetry has caused Hattie
Carroll's name, and the sorrow and true lonesomeness of her death,
to stick in some people's minds."
| Source: | Frazier, Ian. "Legacy of a lonesome death: had Bob Dylan not written a song about it, the 1963 killing of a black servant by a society man's cane would have been long forgotten" Mother Jones 29.6 Nov. 1 2004: 42-47
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| 21. | " Some examples of set
induction include: Starting a lesson on tone in poetry by comparing a
Joan Baez record with Goldfinger with the Rolling Stones; giving an
assignment of creating a character as a set for noticing character in
the..."
| Source: | Lunenburg, Fred C. "Techniques in the supervision of teachers: preservice and inservice applications" Education v118.n4 June 22 1998: 521-526
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| 22. | "... of scholarship and exactness
that only a very few inconsistencies can be spotted, e.g. the printing
of lines of poetry; Greek characters have not fared well either."
| Source: | NAUTA, LODI. "Guillelmi de Conchis: Dragmaticon philosophiae" Medium Aevum 68.1 Mar. 22 1999: 113
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| 23. | " Occasionally a reader might find the political
discourses with which she aligns the romances somewhat tangential to the
urgencies of the poetry and the characters."
| Source: | Kahn, Coppelia. "Shakespeare's Monarchies: Ruler and Subject in the Romances" Renaissance Quarterly 52.2 June 22 1999: 561-564
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| 24. | " Hence the
images he creates in his poetry of characters who inhabit alien
worlds--women, savages, the rural, even the knights themselves as they
battle against..."
| Source: | WALLER, GARY. "SPENSER'S LIFE AND THE SUBJECT OF BIOGRAPHY" Journal of English and Germanic Philology 98.1 Jan. 1 1999: 81-82
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| 25. | " Likewise conscious of the
presence of the past, she unsurprisingly invokes the Muse of ancient
Greek poetry while paying homage to memorable Parkers Prairie
characters--like Roy, a barrel-chested, one-armed janitor..."
| Source: | TAYLOR, JOHN. "Gaining Time" Poetry 175.4 Feb. 1 2000: 280
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