SEARCH RESULTS   Found 25 text references: 1. " Over a three-month course of treatment, Margaret exhibited progressively less distress during imagined exposure, her memories for the traumatic events gradually became less disjointed, and she eventually expressed a sense of resolution regarding these events." Source:   VOLPICELLI, JOSEPH,BALARAMAN, GEETHA,HAHN, JULIE,WALLACE, HEATHER,BUX, DONALD. "The Role of Uncontrollable Trauma in the Development of PTSD and Alcohol Addiction" Alcohol Research & Health 23.4 Dec. 22 1999: 256 2. "... reason, or the faculty by which we reflect upon and compare our ideas, but as opposed to sensation, or memory." It is thus the "reasoning imagination" which is "the immediate spring and guide of action" (Works 1.19-23)." Source:   MILNES, TIM. "Seeing in the Dark: Hazlitt's Immanent Idealism" Studies in Romanticism 39.1 Mar. 22 2000: 3 3. " Imagine that we take a large number of observations of performance in our memory search task, across a range of different conditions." Source:   WENGER, MICHAEL J.,TOWNSEND, JAMES T. "Basic Response Time Tools for Studying General Processing Capacity in Attention, Perception, and Cognition" Journal of General Psychology 127.1 Jan. 1 2000: 67 4. " These slightly dated items of material culture not only evoked personal associations (or a sense of the private), but also recalled a local history or mode of life still part of living memory, but now on the verge of disappearance." Source:   Clarke, David. "The Culture of a Border Within: Hong Kong Art and China" Art Journal 59.2 June 22 2000: 89 5. " With what may seem a surprising pertinence and particularity, translation naturally engages these issues; and since, by nature, it is bounded by the condition of belatedness, it grounds these issues in the material contexts of time, memory and tradition." Source:   SANTOS, SHEROD. "A la Recherche de la Poesie Perdue" American Poetry Review 29.3 May 1 2000: 9 6. " In this study every effort was made to direct the clients' attention to processes within themselves, to their own body sensations, memories, emotions, thoughts, feelings, ideas, past learnings, past experiences, and past conditions, as well as to elicit current understandings and ideas." Source:   Spencer, Constance. "Hypnotic Psychotherapy in the Identification of Core Emotional Issues" Journal of Heart Centered Therapies 3.1 Mar. 22 2000: 3 7. " Because the sentence-initial Wh-phrase must be held in memory until the gap can be identified, the greatest demands on resources would occur in the long object condition, leading to fading or loss of material early in the sentence." Source:   Deevy, Patricia,Leonard, Laurence B. "The comprehension of Wh-questions in children with specific language impairment" Journal of Speech, Language, and Hearing Research 47.4 Aug. 1 2004: 802-816 8. " The cognitive domain focuses on the mental processes including learning, perception, imagination, judgement, memory, thinking and language." Source:   KISSEE, JAMES E.,MURPHY, STANLEY D.,BONNER, GLORIA L.,MURLEY, LAURA C. "EFFECTS OF FAMILY ORIGIN DYNAMICS ON COLLEGE FRESHMEN" College Student Journal 34.2 June 1 2000: 172 9. " Few modem writers have had such a powerful, all conquering memory, imagination and linguistic talent." Source:   MCGURK, JOHN. "Did Nike Say to `Just Do It" Contemporary Review 277.1614 July 1 2000: 56 10. " My testimony: yours: Trying to keep faith / not with each other exactly yet it's the one known and unknown/who stands for, imagines the other with whom faith could/be kept." The voices and perspectives range wide--from personal memories, fragments..." Source:   BERE, CAROL. "The Road Taken: Adrienne Rich in the 1990s" Literary Review 43.4 June 22 2000: 550 11. " Laura remains untouched, yet is, almost in consolation, the constant object of sight--of first the external vision of the poet's eye, and then the potent and inexhaustible internal gaze of his memory and imagination." Source:   Bolland, Andrea. "Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini's Apollo and Daphne" Art Bulletin 82.2 June 1 2000: 309 12. " But you still have your consciousness, you still have your memory, you still have your ambitions, your imagination." Source:   Baker, Lisa. "Storytelling and Democracy : A Conversation with John Edgar Wideman" African American Review 34.2 June 22 2000: 263 13. " If they had reworked the script afresh, starting with that bathroom scene and imagining where these women's different memories could take us, we really..." Source:   Morton, Victor. "`Running Mates' gets nay vote" Washington Times Aug. 12 2000: 2 14. " Imagine her terror upon realizing that much of her speech would have to be recited from memory. "Unbeknownst to anyone in the whole world except her, much of her TelePrompTers..." Source:   McCaslin, John. "INSIDE THE BELTWAY" Washington Times Aug. 9 2000: 9 15. " De Quincey warns his readers that this perception of Carceri d'Invenzione (Prisons of Imagination) is not his own but came from a friend, Coleridge: "I describe only from memory of Mr. Coleridge's account." The major..." Source:   ROUSSETZKI, REMY. "Theater of Anxiety in Shelley's The Cenci and Musset's Lorenzaccio" Criticism 42.1 Jan. 1 2000: 31 16. " A false memory is created when an event that really happened becomes confused with images produced by trying to remember an imagined event." Source:   CUNNINGHAM, SONIA,GARRY, MARYANNE. "Remembering True and False TRAUMATIC EXPERIENCES" USA Today (Magazine) 129.2662 July 1 2000: 54 17. " Schroeder, Eric James. "The Past and the Possible: Tim O'Brien's Dialectic of Memory and the Imagination." Search and Clear." Source:   TIMMERMAN, JOHN H. "Tim O'Brien and the Art of the True War Story: "Night March" and "Speaking of Courage"" Twentieth Century Literature 46.1 Mar. 22 2000: 100 18. " The traveller's image fixation is based on a childhood trauma involving the memory of a woman's face seen or imagined just prior to the death of an unknown man, a situation which had caused the child a moment of fear and madness." Source:   Hilliker, Lee. "The History of the Future in Paris: Chris Marker and Jean-Luc Godard in the 1960s" Film Criticism 24.3 Mar. 22 2000: 1 19. " Most areas, particularly the architecture and the sky, were done from imagination or memory of the place, but I used my outdoor studies for color ideas or drawing all over the painting." Source:   ALLSBROOK, LUKE. "Life as Content in Painting" American Artist 64.696 July 1 2000: 52 20. " It's a landscape that fits itself to the imagination, and I've found my memories of it to be both a comfort and a resource. " Source:   Blair, John. "AUNT JANE ON THE DAY OF THE DEAD" Midwest Quarterly 41.3 Mar. 22 2000: 277 21. " If we are still a people as fired by the imagination as we are by memory, than it is the least we can expect." Source:   . "Letters to the Editor" Tikkun 15.2 Mar. 1 2000: 2 22. " Now I have to work on the figures and crowds." Lehman wants to use her friends and colleagues as models and, in this way, hopes to combine painting from life and painting from memory and her imagination." Source:   . "EMERGING ARTISTS" American Artist 64.694 May 1 2000: 62 23. " Having arrived in Manhattan in the 1960s with her family, Angela imagines revisiting El Barrio, the neighborhood that provided comfort to her and her mother--but memories of her inscrutable father leave her troubled." Source:   LOPEZ, ARNOLD. "Fire and Promise" American Theatre 17.3 Mar. 1 2000: 24 24. "... on the lips of Macpherson - formidable in public, genial in private -- that one imagines he is haunted still by memories of his inquiry." Source:   RIDDELL, MARY. "Sir william macpherson" New Statesman (1996) 129.4474 Feb. 21 2000: 18 25. " Central Park is seen through a glass lightly--through memory, pigment, brushwork and, preeminently, imagination." Source:   Henry, Gerrit. "Lizbeth Mitty at Cheryl Pelavin" Art in America 88.1 Jan. 1 2000: 119 back to top